SEBASTIAN GUZMAN OLMOS













Sebastian Guzman Olmos (he/him) is an Argentine transdisciplinary designer, researcher, and curator based in Amsterdam. His work spans political engagement and cultural production, addressing systemic contradictions inherent in capitalist, extractivist, and (neo)colonial structures. His research and discourse interests are anchored in historical material analysis, class perspective, and revolutionary optimism. Often materializing through diverse practices, organizational efforts, and pedagogies.

Sebastian formerly studied at Design Academy Eindhoven in the Media and Culture Department. Additional non-institutional curricula include Organismo as a fellow at TBA21-Academy in Madrid; The People’s Forum in New York City; the Rosa Luxemburg Foundation in Berlin; and studies with Frente de Izquierda Unidad in Buenos Aires.



SELECTED EXHIBITIONS


His work has been shown in TBA21-Academy (Madrid), Dutch Design Week (Eindhoven), Museum de Fundatie (Zwolle), Design Museum Ghent (Ghent), Kazerne (Eindhoven), Bruxelles Environnement (Brussels), Guan Shanyue Art Museum (Shenzhen), and The Central House of Artists (Moscow), among other spaces.



EDUCATIONAL PROGRAMMES


He has initiated programs, workshops, and lectures at Rietveld Academie/Sandberg Instituut (Amsterdam), The Embassy of the Netherlands in Berlin, Design Academy Eindhoven (Eindhoven), Fontys University (Tilburg),  Fachhochschule Potsdam (Potsdam), HMC (Rotterdam), AKV St. Joost (’s-Hertogenbosch), and Floating University (Berlin).



SELECTED RECOGNITION


Contributor/researcher on projects that received: TBA21‑Academy/Ocean Archive Editor’s Pick 2025, S+T+ARTS Prize (Honorary Mention), Floriade Expo 2022 (Gold Award), and Henry van de Velde Award (Silver).



MAIL
INSTAGRAM


UNITY CHANTS FROM THE SOUTH


This research for OCEAN/UNI examines the large-scale mobilizations in Argentina in 2025 following Javier Milei's electoral victory. It analyzes how protest chanting serves as a crucial mechanism for working-class political expression and spontaneous organization. By revisiting historical traditions such as the ‘cacerolazos’, the article situates contemporary events within a broader history of resistance, including labor unions, anti-extractivist movements, and the ongoing struggle to advance democratic rights. The text argues that political chants not only articulate real political goals but also collectively reinforce Argentina’s national identity during periods of crisis.

Selected as the 2025 Editor’s Pick by TBA21-Academy/Ocean Archive.
2025, Buenos Aires/Madrid
OCEAN/UNI and ocean-archive.org